matisse: studies. . .

Studies of Matisse's work at the Chicago Art Institute . . .


intelligence lives high on a branch . . .

red tanager in central park , nyc / usa. . .
(c) charles chessler . . .

I think I want to be that bird. . .

Harpy Eagle, Harpia harpyja

Image code:
 co06-1326 Location: Amacayacu National Park Leticia Photographer: Rhett A. Butler

A Möbius strip made with a piece of paper and tape. . .

A Möbius strip made with a piece of paper and tape.
If an 
ant were to crawl along the length of this strip,
it would return to its starting point having traversed
every part of the strip without ever crossing an edge.


zhang huan prints
- dragon fly series. . .
silk screen  print
117x200 cm
editions 38


fall warblers central park . . .

 friends in central park 


julie mehretu . . .

Julie Mehretu makes large-scale, gestural paintings that are built up through layers of acrylic paint on canvas overlaid with mark-making using pencil, pen, ink and thick streams of paint. Mehretu’s work conveys a layering and compression of time, space and place and a collapse of art historical references, from the dynamism of the Italian Futurists and the geometric abstraction of Malevich to the enveloping scale of Abstract Expressionist colour field painting. In her highly worked paintings, Mehretu creates new narratives using abstracted images of cities, histories, wars and geographies with a frenetic mark making that for the artist becomes a way of signifying social agency as well suggesting an unravelling of a personal biography.

Mehretu’s points of departure are architecture and the city, particularly the accelerated, compressed and densely populated urban environments of the 21st Century. Her canvases overlay different architectural features such as columns, façades and porticoes with different geographical schema such as charts, building plans and city maps and architectural renderings, seen from different perspectives, at once aerial, cross-section and isometric. Her paintings present a tornado of visual incident where gridded cities become fluid and flattened, like many layers of urban graffiti. Mehretu has described her rich canvases as ‘story maps of no location’, seeing them as pictures into an imagined, rather than actual reality. Through its cacophony of marks, her work seems to represent the speed of the modern city depicted, conversely, with the time-aged materials of pencil and paint.Mehretu was born in Addis Ababa in 1970 and lives and works in New York. She has exhibited in several important group exhibitions including ‘Poetic Justice’, 8th Istanbul Biennial (2003), Whitney Biennial (2004), São Paolo Biennial (2004), Carnegie International, Pittsburgh (2004) and Biennale of Sydney (2006). Solo exhibitions include Walker Art Center, Minneapolis, REDCAT, Los Angeles and Albright-Knox Art Gallery, Buffalo (2003), St Louis Art Museum (2005) and MUSAC, Léon, Spain (2006).


rudy burckhardt : brooklyn bridge . . . 1954

"we've kept this  Brooklyn Bridge photograph for by Rudy Burckhardt
on our desk since 1984. it meant the world to us  . . . now it has yellowed
and doesn't seem to get better with years! And there it is on the Internet
brand-new clean and ready to fly for another 50 years . . . "
Photo taken in : 1954. Courtesy Ledel Gallery, NYC.
more to come about Rudy in next posting!